一名男(🛏)子不滿(mǎ(✳)n )一樁(zhuāng )冤(➗)獄(yù )案件(🔄)(jiàn )的發(fā(🎊) )生，私自(zì(🎩) )綁架(jià )審判(😗)(pàn )該案(àn )的法(fǎ )官(➡)，將其囚禁(🌩)於地下室，並錄影開(⭕)直播(bō )，公(🚿)(gōng )開質(zhì(🕹) )疑其(qí )判(🐾)決(jué )有誤(🕍)(wù )，要求社會大眾對其(🌅)進行公審並投票，然(🌒)而最終的(🥐)結果，會因(🛠)此撼動程(📋)序正義嗎(🚤)？ It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her. UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare. Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry. 巴勒(🔢)斯坦電視(📘)台攝製臥(🏟)底肥(féi )皂劇(🤤)(jù )，連(lián )以(⬛)色(sè )列婦(fù )孺都(dō(🐱)u )晚晚(wǎn )追(💄)看。編劇因(🚨)情節背離(😎)革命而辭(👁)職(zhí )，監(jiā(🌯)n )製的(de )多口(kǒ(👪)u )侄仔(zǎi )助理(lǐ )受命(🌗)(mìng )執筆(bǐ(😤) )，頻(pín )頻借(🍘)(jiè )女角(jiǎ(👪)o )之口(kǒu )，向(🦆)電視機前(🌶)的舊愛示(📄)好，以色列(🛸)(liè )檢查(chá )站軍(jun1 )官則(zé(🤤) )企圖(tú )恃權(quán )影響(🚃)劇情發展(💻)，以便在追(📴)看的嬌妻(🎡)面前自吹(🧠)自擂。助理(🤣)即使槍抵(🔉)腦殼，都不(💬)肯接受軍官(🚱)要求的大(🍨)團圓結局。抗爭(zhēng )，必(🏡)(bì )須繼(jì(📓) )續！影展(zhǎ(✌)n )新秀(xiù )蘇(🔷)亞(yà )比巧(〰)妙調侃以(👊)巴關係，他的(😏)喜劇座(zuò )右銘(míng )是(🛴)：要能(né(🛸)ng )大笑(xiào )，必(📊)(bì )須面(mià(🐊)n )對苦(kǔ )痛(🕑)，並與(yǔ )之(🎿)周(zhōu )旋。獲(👜)威尼斯地(🏺)平線單元最佳男主角(🚍)獎(jiǎng )。 “没有(yǒu )名字(zì(👶) )的我(wǒ )，没(🗳)(méi )有未来(🍣)的她” 多摩(📒)湖のほと(🕓)りで男性(🎎)の遺体が(😄)発見され(👮)た。遺体の身(😑)元は、株(🤺)式会社橋本商事の(🐓)社長であ(💝)る橋本(bě(🌂)n )圭一(yī )（(🥗)山(shān )上賢(🤞)(xián )治）と(🕳)判(pàn )明。死因(😰)は頭がい骨の骨折(🔯)による失(❓)血(xuè )死で(🏕)、後(hòu )頭(🆑)部(bù )を鈍(🏹)(dùn )器のよ(🌴)うなもの(🥢)で殴打(dǎ(👞) )されていた。身元確認(🥌)に来た社員の伊藤(🔑)（浅香(xiā(🌓)ng )航大(dà )）(🈂)によると(🔵)、橋本は(🏟)最後の電(😪)話で、兵庫の「丹(🎗)波篠山」に(🕘)いると言(🌈)っていたという。遺(🐭)体が発見(⛴)された東(🚕)京の多摩(💜)湖からは(😁)距離(lí )が(💳)あることか(🧖)ら、別の場所で殺(📸)害された(📠)後に遺棄(😬)された可(😱)能(néng )性が(♉)でてきた(🤑)…。 由于(yú(📄) )基因(yīn )突(🎮)变(biàn )，两(liǎng )兄弟(dì )中，弟(👌)弟从小体温异于常(🛅)人，拥有着(📫)冰系超(chā(⏮)o )能力(lì )，而(👍)(ér )哥哥(gē(🤶) )拥有(yǒu )的(🐣)则(zé )是火系超能力(🤘)，阴差阳错兄(🖋)弟二人被(💶)分开。哥哥被收养他(🌧)的日本人(🈵)培养成了(🦃)一个强大(⬅)的杀手，同(🌁)时中国的一(yī )个神(shé(🌈)n )秘组(zǔ )织也(yě )在联(😉)(lián )系着(zhe )弟(☔)弟(dì )。哥哥(⛄)受命劫持(😎)了弟弟的(🥫)恋人，再次(🦗)见(jiàn )面时(🌇)(shí )两人(ré(🔷)n )成为(wéi )了敌(dí )人，大打(🐓)(dǎ )出手(shǒu )之间(jiān )哥(🏼)哥(gē )认出(⛰)(chū )了弟弟(💦)小宇，经历(🍿)了种种，最(💁)终两兄弟(🕵)(dì )顺利(lì )相认(rèn )并联(lián )手打(dǎ(⛽) )败了(le )敌人(🎇)。 This is the untold story of the true Mayan Apocalypse that has been misinterpreted by scholars and was to have taken place on 12/12/12 - that was obviously wrong. A secret group of Mexican superheroes, known as El Trio de la Luz, are forced by destiny to include their adopted gringo into their group to help fight to save humanity. Will the car salesman and local TV personality carry his weight and transform from the GRINGO into the GREEN GHOST? We shall see.. 故事发生在墨西哥(🎓)城的一个(😙)中产阶级(💁)社区“罗马(❗)”，讲述年轻(💷)女佣克里奥（雅利扎(🌎)·阿巴里西奥饰）(👒)在雇(gù )主(🏋)索(suǒ )菲亚(🏗)(yà )（玛(mǎ(💋) )丽娜(nà )·(🌑)德(dé )·塔(🍰)维拉饰）(📹)家中工作(🍕)，该家中索菲亚(yà )的丈(🚂)(zhàng )夫长(zhǎng )期在(zài )外(⏳)，由女(nǚ )佣(❇)克(kè )里奥(👸)(ào )照顾(gù(😡) )索菲(fēi )的(✴)四(sì )个孩(🖇)子。突如其来的两个意外，同时砸(🦕)(zá )中了(le )女(♿)佣(yòng )克里(lǐ )奥和(hé(🖥) )雇主(zhǔ )索(✳)菲亚，两人(🏼)究竟该如(⛳)何面对苦(🌨)涩茫然的生活？四位(🖕)孩子似乎是希望所(🌒)在。 这是以(🐡)导演阿方(🗜)索·卡隆(⬛)的儿时(shí(👟) )记忆(yì )铸(🍣)成(chéng )的影(🛅)(yǐng )片，而卡(📶)(kǎ )隆其(qí )实就是片中(💵)某一位小孩。